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Current technical challenges in the conservation of paintings

Version 3 2024-03-12, 16:12
Version 2 2024-02-12, 09:53
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posted on 2024-03-12, 16:12 authored by Angelina Barros D'Sa, Lizzie Bone, Rhiannon ClarricoatesRhiannon Clarricoates, Helen Dowding

As artists have increasingly utilised materials and techniques, conservators have been presented with a host of new and complex problems that need to be addressed. In response to this, the Institute of Conservation's Paintings Group decided that this would be an appropriate theme for a conference that could provide a platform for contributors to disseminate their research on a number of topics relating to the conservation of contemporary artworks. In addition, a call was put out for contributors who might be developing new and innovative techniques and materials to address conservation problems, or who might be utilising well-known materials, already in the conservator's toolkit, in a new capacity.The papers in this volume were presented at the Paintings Group's conference 'Modern Conservation; What's New?' held at The Wallace Collection in October 2014, which covered a variety of topics including consolidates and flake laying,; the possible use of of sports injury tape as a temporary means of support during structural conservation treatments; rigid inserts to stretchers to reduce vibrations; auxiliary supports for modern paintings; the problem of softening and weeping paints in modern works of art and methods of treatment; wet surface cleaning treatments for contemporary paintings; and ethical considerations when dealing with conceptual artists' wishes.

History

School affiliated with

  • Lincoln School of Humanities and Heritage (Research Outputs)

Publisher

Archetype

ISBN

9781909492318

Date Submitted

2018-03-14

Date Accepted

2018-03-14

Date of First Publication

2018-03-14

Date of Final Publication

2018-03-14

ePrints ID

30598

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